Free Mixing Tool

Mix Fingerprint Analyzer

Upload your mix. We measure its DNA — bass weight, stereo width, dynamic range, high-end air — and plot it against the genre benchmark you're working toward. Then we tell you exactly what to fix.

1
Upload your mix
WAV, MP3, FLAC — measured in your browser, nothing sent to a server
Drop your mix file here
or click to browse
WAV · MP3 · FLAC · AIFF · M4A
Measuring your mix...
Analyzing frequency balance, stereo width, and dynamic range
LUFS
DR
Width
Air
Bass
2
What genre is your mix?
Sets the professional benchmark your mix is measured against
Tip: pick the genre closest to your sound. If it spans two genres, pick the dominant one.
3
Compare to a reference track
Optional — see how your mix stacks up against a specific song
Optional: Upload a commercial track you want to sound like. We measure it with the exact same engine and overlay its fingerprint on the radar, so you can see precisely where your mix differs. Measured in your browser — the file never leaves your device.
Drop a reference track or browse — WAV, MP3, FLAC
4
Loudness, dynamics & stereo
Measured directly from your file using the ITU-R BS.1770 standard — nothing here is guessed
These are the same measurements professional metering tools report. They are computed from your audio in your browser — your file never leaves your device.
Integrated Loudness LUFS. Streaming normalizes to roughly -14 LUFS; -7 to -10 is typical for loud modern masters.
True Peak dBTP (4x oversampled). Keep below -1.0 dBTP so it does not clip after lossy streaming conversion.
Loudness Range LU (EBU R128). How much loudness varies across the track. Low = consistent/compressed, high = dynamic.
Phase Correlation -1 to +1. Mono compatibility. Near +1 = mono-safe; below 0 means parts cancel on mono systems (phones, clubs).
How streaming platforms will play it
5
Generate your fingerprint
Radar chart, written diagnosis, timeline analysis, and playback predictions
Mix Fingerprint
Upload a file to begin
Waiting
Your fingerprint will appear here
Embed this tool
<iframe src="https://musicproductionwiki.com/tools/mix-fingerprint.html" width="100%" height="900" frameborder="0" style="border-radius:16px"></iframe>

Your Mix Diagnosis

Plain English — what your fingerprint actually means for your mix
—%
Genre Fit Score

Timeline Analysis

How your mix changes across the track — where the problems live by timestamp

How Will This Translate?

Predicted performance on 6 playback systems — based on your fingerprint scores

Get Your Full Mix Intelligence Report

Everything you see here, formatted as a PDF — plus plugin-specific recommendations for each axis that needs work. Something you can reference during your next session.
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What the Six Axes Actually Mean

Bass Weight measures the energy in the 20–150Hz band, scored per octave against a reference tonal-balance curve so it reflects your low-end balance rather than just overall volume. A score around 8 is normal for trap or EDM; 3–4 is normal for acoustic folk. If your bass weight is significantly outside the genre benchmark, listeners will notice — either the low end is overwhelming the mix or it sounds too thin for the style.

High End Air measures energy above 10kHz. This is what makes a mix feel open, expensive, and modern. Too low and the mix sounds dark and muffled. Too high and it fatigues. Most commercial mixes sit in a surprisingly narrow range for their genre.

Stereo Width measures the mid/side energy ratio. Wide mixes fill the speakers and feel cinematic. Narrow mixes feel tight and focused. The right answer depends entirely on genre — ambient and cinematic music should be very wide; hip-hop and drill often sit much narrower than producers expect.

Dynamic Range measures PSR — the gap between your true-peak level and your short-term loudness (the modern successor to crest factor). High dynamic range means breathing room, impact on transients, and a mix that feels alive. Low dynamic range usually means the limiter is working too hard. Streaming platforms normalize loudness, so crushing your master doesn't make it louder for listeners — it just removes the dynamics.

Presence (2–5kHz) and Mids (250Hz–2kHz) are measured directly from your spectrum, like every other axis — the presence band is where vocals, snares and lead instruments cut through, and the mid band is the body of the mix. These read the energy in those bands, not isolated stems: true vocal-versus-backing balance needs source separation, but band energy is a strong, honest proxy. Most amateur mixes fail right here — the vocal sits back (low presence) or the midrange congests (too much mid energy).