How To Use Fl Studio For Beginners

FL Studio — developed by Belgian company Image-Line — has grown from a simple step sequencer released in 1997 into one of the most powerful and widely used digital audio workstations in the world. Artists from Martin Garrix to Metro Boomin have built careers on it, and its pattern-based workflow makes it uniquely approachable for producers who think visually and rhythmically. Whether you want to make trap, house, lo-fi, or orchestral music, FL Studio has the tools to get you there.

This guide is written for absolute beginners in May 2026, covering FL Studio 21 — the current major version. By the end, you will understand the interface, know how to build a beat from scratch, arrange a full track, apply effects, and export a finished file. Let's get into it.

Understanding the FL Studio Interface

When you first open FL Studio, the screen can seem overwhelming. There are floating windows, a toolbar across the top, and various panels competing for your attention. The key insight is that FL Studio is built around four primary windows, each responsible for a distinct phase of production. Master these four windows and the rest of the DAW falls into place naturally.

The Channel Rack

The Channel Rack (shortcut: F6) is the heartbeat of FL Studio. Think of it as your drum machine and instrument launcher. Every sound you use in a pattern lives here as a channel — a kick, a snare, a bass synth, a sample. Each channel has a row of 16 step buttons (you can extend to 32 or more), and clicking those buttons programs a pattern for that sound. The Channel Rack is where most producers start building rhythms.

Each channel also has a volume knob, a panning knob, and a small green LED to mute/unmute it. Right-clicking any channel opens a context menu where you can rename it, change the color, set the target mixer track, and more. Keeping your channels labeled and color-coded from the start saves enormous time as your projects get complex.

The Piano Roll

The Piano Roll (shortcut: F7 when a melodic channel is selected) is where melody, chords, and basslines live. It displays a vertical piano keyboard on the left, with a horizontal grid stretching to the right. Each note you draw corresponds to a pitch on that keyboard and a position in time. This is one of the most powerful Piano Rolls in any DAW — it supports velocity editing, note properties, scale highlighting, chord stamping, and a range of quantization options.

To access the Piano Roll for any instrument channel, simply double-click on that channel's step buttons in the Channel Rack. A new window opens and you can draw notes with the pencil tool (shortcut: P), delete them with the eraser (E), or select and move them with the select tool (E cycles tools). The default note length is tied to the quantization setting in the top-left of the Piano Roll window, which you should set to 1/16 for most electronic music work.

The Playlist

The Playlist (shortcut: F5) is your arrangement view. Think of it as the timeline of your song. In FL Studio's workflow, you first create patterns in the Channel Rack and Piano Roll, then drag or paint those patterns into the Playlist to arrange them over time. Each row in the Playlist can hold a different pattern — you might have a "Drums" pattern on row 1, a "Bass" pattern on row 2, a "Chords" pattern on row 3, and so on.

This pattern-based workflow is one of FL Studio's defining characteristics and differs significantly from the clip-based approach of Ableton Live. You can also drag audio clips directly into the Playlist, making it equally useful for working with samples and recorded audio. The Playlist supports unlimited tracks, and each track can be a pattern track, audio track, or automation track.

The Mixer

The Mixer (shortcut: F9) is where you balance levels, apply effects, and route audio. FL Studio's Mixer has 125 insert slots by default (expandable), plus a Master channel and a range of send/return channels. Each insert can hold up to 10 effect plugins in its FX chain slot. The critical workflow step that many beginners miss: you must manually route each Channel Rack instrument to a Mixer insert. To do this, click the channel in the Channel Rack, look at the top-left panel for the "FX" routing number, and type in the mixer insert number you want it assigned to — for example, type "1" to route the kick to insert 1, "2" for the snare to insert 2, and so on.

The Toolbar

The main toolbar at the top of FL Studio contains transport controls (play, stop, record), tempo and time signature settings, a master volume knob, a master pitch knob, and several quick-access buttons. The tempo is displayed in BPM in the center — double-click it and type a new value, or right-click for options including tapping tempo. Just to the right, you set the time signature (default: 4/4). You'll also find the pattern selector dropdown here, which lets you switch between different patterns before sending them to the Playlist.

Setting Up Your First Project

Before you place a single note, spending five minutes on project setup pays dividends throughout the entire production process. Here's an efficient workflow for getting started in FL Studio 21.

Creating a New Project and Setting Tempo

Open FL Studio and go to File > New (or press Ctrl+N). FL Studio will open a blank project with the default template — usually containing a few placeholder channels. For most producers starting fresh, it's cleaner to delete these placeholder channels and start from scratch. Select all channels in the Channel Rack with Ctrl+A, right-click, and choose "Delete."

Next, set your tempo. For hip-hop and trap, 130–145 BPM is standard. For house music, 120–130 BPM. For lo-fi hip-hop, 70–90 BPM. For drum and bass, 160–180 BPM. Double-click the BPM display in the toolbar and type your target tempo. You can always change it later, but setting it upfront ensures your samples and patterns are all locked to the same grid from the start.

Audio Interface and Buffer Settings

Go to Options > Audio Settings to configure your audio interface. Select your interface from the device dropdown. For most modern interfaces, ASIO driver mode gives you the best low-latency performance. Set your buffer size between 256 and 512 samples for live playing and recording — lower buffers reduce latency but demand more CPU. When mixing and not recording, you can raise the buffer to 1024 or 2048 for more headroom. Sample rate should be set to 44100 Hz for most music or 48000 Hz if you're producing content for video. If you don't have an interface yet, check out our guide to the best audio interfaces for home studio setups.

Saving and Project Structure

Save early and save often. Go to File > Save As and create a dedicated folder for your project. FL Studio's default save format is .flp (FL Project). In Options > File Settings, enable "Browse extra" and make sure your project folder is listed so FL Studio can find all your samples and VST presets. If you move project files without also moving samples, you'll get "missing file" errors when reopening — a common beginner frustration that's easy to avoid.

VST Plugin Scanning

If you've installed third-party VST plugins (like Serum, Kontakt, or Omnisphere), FL Studio needs to scan for them before they appear in your plugin browser. Go to Options > Manage Plugins and click "Find More Plugins." Point FL Studio at your VST folder (usually C:\Program Files\VSTPlugins on Windows or /Library/Audio/Plug-Ins/VST on Mac). After scanning, refresh the browser and your plugins will appear. Always verify plugins are properly detected before starting a session — nothing breaks creative flow faster than a plugin not loading mid-session.

Building Your First Beat in the Channel Rack

The Channel Rack is where most FL Studio sessions begin. For this walkthrough, we'll build a basic hip-hop beat at 140 BPM to illustrate the full workflow.

Adding Drum Samples

Click the + button at the top of the Channel Rack (or right-click in the empty space and choose "Add one > AudioClip" or "Add one > Sampler"). Choose "Sampler" to add a sample-based drum channel. The Channel Settings window will open — click the folder icon to browse for your kick drum sample. FL Studio ships with its own sample library inside the "Packs" section of the Browser (F8), which contains hundreds of usable drums organized by genre.

For a standard hip-hop pattern, you'll want at minimum: a kick, a snare (or clap), a hi-hat (closed), and optionally an open hi-hat and a percussion element. Add each as a separate channel and name them immediately by double-clicking the channel name. Color-code drums in one color group (e.g., red for kicks, orange for snares) to keep the Channel Rack readable.

Programming a Beat Pattern

With 16 steps representing one bar at 4/4 time, each step is a 16th note. For a classic hip-hop pattern:

• Kick: Steps 1 and 9 (beats 1 and 3)
• Snare: Steps 5 and 13 (beats 2 and 4)
• Closed Hi-Hat: Steps 1, 3, 5, 7, 9, 11, 13, 15 (every 8th note)

Right-click on any step button to access velocity settings — reducing hi-hat velocity on certain steps (e.g., alternating high/low velocity) creates the "swinging" ghost note feel that separates a robotic pattern from a groove. You can also right-click a step and choose "Properties" to fine-tune the panning, pitch, and filter cutoff of that individual step, which is a powerful but often overlooked feature.

Adding Velocity and Humanization

Velocity in the Channel Rack is accessed by right-clicking any active step and selecting "Set velocity." But for a more visual approach, switch the Channel Rack to "Step mode" (the small piano icon at the top-left of the Channel Rack) — this hides the velocity bars below each channel. Instead, access the Piano Roll for your drum channel to get a full velocity editor. Set kick drums to 100–120 velocity, snares to 90–110, and hi-hats to 60–90 with variation. Even 10–15 velocity unit variation between identical steps creates a more human feel.

For groove and swing, go to the Channel Rack's settings menu and look for the "Groove" or "Swing" option, or use the Piano Roll's "Stamp" function to apply a groove template. FL Studio 21 also has a "Groove quantize" feature accessible from the Piano Roll's tools menu that can map your notes to a sampled groove template, similar to Pro Tools' DigiGroove system.

Adding Melodic Instruments

To add a synth or instrument, click the + button in the Channel Rack and choose from the native FL Studio instruments: FL Keys (piano), 3xOsc (basic subtractive synth), Sytrus (FM synthesis), Harmor (additive/spectral), FLEX (preset-based rompler), or ZGameEditor Visualizer. For beginners, FLEX is the quickest route to professional-sounding presets — it comes stocked with thousands of sounds categorized by genre and type.

Once you've added an instrument channel, double-click the step buttons to open the Piano Roll. Switch to the pencil tool and draw notes on the grid. Start with a simple 4-note bassline in the first 2 bars, or a chord progression in bars 3 and 4. If you're unsure about music theory, use FL Studio's built-in Scale Highlighting feature — in the Piano Roll, go to the "Scale" dropdown at the top and select a scale (e.g., C Minor). The Piano Roll will shade the notes that belong to that scale, making it much harder to play wrong notes.

Arranging Your Track in the Playlist

Once you have a few patterns built in the Channel Rack, it's time to arrange them into a full song structure using the Playlist. This is where FL Studio's workflow clicks into place — or where beginners get confused if they misunderstand the pattern system.

Understanding Patterns vs. the Playlist

In FL Studio, every set of notes and steps you create in the Channel Rack belongs to a specific "Pattern." You can create multiple patterns — Pattern 1 might be your intro, Pattern 2 your verse beat, Pattern 3 your chorus beat, and so on. Switch between patterns using the pattern selector dropdown in the toolbar (or press Ctrl+Left/Right arrow). Each pattern is completely independent: the same instrument channel can have different notes in Pattern 1 vs. Pattern 2.

The Playlist then lets you place these patterns on a timeline. Each horizontal track in the Playlist corresponds to a pattern slot. Left-click in a Playlist row to paint a pattern block; right-click to erase. You can resize blocks by dragging their right edge, duplicate them by holding Ctrl while dragging, and move them freely. The Playlist timeline uses bars and beats at the top for reference.

A Standard Song Structure in FL Studio

A typical electronic or hip-hop track follows this arrangement logic in the Playlist:

• Bars 1–4: Intro — sparse elements (hi-hat, bass note, atmosphere)
• Bars 5–12: Verse — full beat enters, bassline and melody playing
• Bars 13–16: Pre-chorus or build — elements adding tension
• Bars 17–24: Chorus/Drop — all main elements, highest energy
• Bars 25–28: Break — stripped back, half the elements
• Bars 29–36: Second verse or drop repeat
• Bars 37–40: Outro — elements dropping out one by one

For a deeper look at song arrangement principles, read our guide on how to arrange a song which covers both pattern-based and linear DAW approaches in detail.

Using Audio Clips in the Playlist

You can drag audio samples and recordings directly into the Playlist from the FL Studio Browser. Simply locate your sample file in the browser, then drag it onto a Playlist track. FL Studio will automatically create an audio clip track and place the sample. You can then trim, loop, or stretch the clip by right-clicking it and accessing properties. Time-stretching uses FL Studio's proprietary elastique algorithm, which maintains pitch while changing tempo — useful for syncing vocal samples or loops to your project BPM.

Automation Clips

Automation is the process of recording or drawing changes to a parameter over time — volume fades, filter sweeps, reverb wet/dry, anything. In FL Studio, automation is handled via Automation Clips in the Playlist. To create one, right-click any knob or fader (in the Mixer, a plugin, or anywhere else) and choose "Create automation clip." A new clip appears in the Playlist. Double-click it to open the automation editor, where you can draw curves, ramps, and modulation shapes. Learning to use automation clips is one of the most important skills for making music that feels alive and dynamic rather than static. Our guide on how to use automation in your DAW covers the principles that apply across FL Studio and other platforms.

Mixing in the FL Studio Mixer

The Mixer is where your beat transforms from a collection of sounds into a cohesive, professional-sounding track. Even at the beginner stage, understanding basic mixing principles in FL Studio will dramatically improve your results.

The Mixer Layout

The FL Studio Mixer displays vertical channel strips, each containing a fader, knobs for panning, a peak meter, and FX chain slots below. The leftmost strip is always the Master channel. Inserts 1 through 125 are your instrument channels. On the right side, there are "send" channels for reverb and delay returns. Each insert has a color-coded indicator showing which Channel Rack instruments are routed to it.

When mixing, set your Master fader to 0 dB and avoid pushing it higher. Instead, work with the individual insert faders and the gain staging within each FX chain. Keep your Master output meter peaking no higher than −3 dBFS before mastering, which gives the mastering stage enough headroom to work with.

Gain Staging

Gain staging means setting appropriate signal levels at every stage of the signal chain to avoid clipping and maintain clean audio. In FL Studio, the first thing to do is reduce the volume of any excessively loud Channel Rack instruments — use the volume knob on each channel to trim levels before they hit the Mixer. A good rule of thumb: aim for average program levels around −18 dBFS on individual instruments, with peaks no higher than −6 dBFS. This leaves enough headroom for compression and saturation to work without distorting.

EQ in the Mixer

Every insert in the FL Studio Mixer has an FX chain. Click the small triangle or "FX" button at the bottom of any insert to open its effects chain. Add Parametric EQ 2 (FL Studio's built-in equalizer) by clicking an empty FX slot and searching for it. Here are basic EQ moves for common instruments:

Compression in the Mixer

Add Fruity Peak Controller or the built-in Fruity Compressor to any insert by clicking an FX slot. For drums, a ratio of 4:1 with a fast attack (5–10 ms) and medium release (50–100 ms) controls transients and adds punch. For bass, a 3:1 ratio with a medium attack (20 ms) and slow release (150–200 ms) keeps the energy consistent. A threshold set so that the compressor is gaining reduction of around 3–6 dB on peaks is usually the right ballpark. If you want to go deeper, our guide on how to use compression for beginners explains all the parameters in depth with genre-specific examples.

Reverb and Delay as Send Effects

Rather than adding reverb directly to each instrument's insert, the professional approach is to use send channels in the Mixer as a shared reverb bus. This uses less CPU and creates a more cohesive space. To set this up in FL Studio: on any existing Mixer channel (e.g., Insert 10), add Fruity Reeverb 2 or the newer Fruity Convolver. Then, on the send routing section of the channels you want to add reverb to, increase the send knob pointing to Insert 10. The wet signal flows to the reverb channel and the dry signal stays on the original insert. This is called a parallel or send/return configuration and is fundamental to professional mixing. Our guide on how to use send effects provides a complete walkthrough of this technique.

The Master Channel and Final Polish

The Master channel in FL Studio's Mixer is the final stage before your audio is heard. Standard practice is to add a limiter (Fruity Soft Clipper or Maximus) at the end of the Master FX chain to prevent clipping. Set the ceiling to −0.3 dBFS and let the limiter handle any stray transients. Some producers add a light tape saturation or harmonic exciter before the limiter for warmth. Avoid over-processing the Master at the mixing stage — save heavy compression and loudness maximizing for the dedicated mastering stage.

Using FL Studio's Native Plugins and Instruments

FL Studio ships with an impressive roster of native instruments and effects that can handle virtually any genre without spending a cent on third-party plugins. Understanding what each tool does will help you make the most of what you already own.

Key Native Instruments

FLEX: The premier preset synth in FL Studio 21. It contains thousands of sounds across synthesis types and is updated through the Image-Line plugin server. Clicking the search bar and typing a style ("pluck," "pad," "bass") surfaces relevant presets immediately. This is the starting point for most beginners and many working professionals.

3xOsc: A simple three-oscillator subtractive synthesizer. Each oscillator can be set to sine, square, triangle, sawtooth, or custom waveform. Detune the second oscillator slightly (+3–5 cents) against the first for a lush, fattened sound. This is the perfect starting synth for learning synthesis basics — its simplicity forces you to understand how oscillators, filters, and envelopes interact.

Sytrus: FL Studio's flagship FM synthesizer. FM synthesis uses frequency modulation between operators to create complex, evolving timbres — classic DX7 bells and electric pianos, modern metallic basses, and digital leads all live here. Sytrus has 6 operators and a built-in arpeggiator and chorus. It's deeper than most beginners need immediately, but exploring its presets is an excellent way to learn what FM synthesis sounds like.

Harmor: An additive synthesis engine that can also import audio and resynthesize it. Harmor excels at evolving pads, spectral textures, and unusual timbres. Its "Image" function can convert a bitmap image's brightness data into harmonic content — a genuinely unique feature in the DAW landscape.

Fruity DrumSynth Live: A physical-modeling drum synthesizer that generates drum sounds from scratch rather than using samples. Excellent for electronic kicks and claps with a specific electronic feel, and CPU-efficient compared to sample-heavy workflows.

Key Native Effects

Parametric EQ 2: A 7-band parametric EQ with high-pass, low-pass, shelf, and bell filter shapes. The spectrum analyzer overlay (enabled with the small speaker icon) shows real-time frequency content of the incoming signal, which is invaluable for identifying problem frequencies. This should be one of the first plugins on every Mixer insert.

Fruity Reeverb 2: A solid algorithmic reverb covering rooms, halls, plates, and chambers. The "Room size" and "Diffusion" knobs control the space character. For drums, use short room sizes (0.3–0.5) with low diffusion. For pads, long halls (2.0+) with high diffusion work beautifully. The built-in damping EQ (the tone controls at the bottom) prevents the reverb tail from becoming muddy in the low end — always low-shelf cut the reverb return below 200 Hz.

Fruity Delay 3: A feature-rich stereo delay with tempo sync, feedback control, ping-pong mode, and filter controls. Setting the time to 1/8 note and the feedback to 20–30% creates a subtle rhythmic echo that adds space without cluttering the mix. The "Cut" and "Res" controls let you filter the delay repeats so they sit behind the dry signal rather than competing with it.

Maximus: FL Studio's multiband dynamics processor — it combines compression, expansion, and limiting across three frequency bands (low, mid, high) plus a master stage. It's powerful enough to serve as both a mix bus compressor and a mastering limiter. For beginners, use the factory presets as starting points and adjust the master limiter ceiling and input gain to control loudness.

Fruity Stereo Enhancer and Fruity Stereo Shaper: These tools widen the stereo image of synths, pads, and drums. Use stereo enhancement on pads and hi-hats to push them wide, while keeping kick, bass, and 808s in mono (or near-mono) for maximum punch and translation on systems ranging from club speakers to earbuds. Maintaining low-end mono content is a professional-level habit that dramatically improves how your mixes translate.

The Plugin Browser

Access all of FL Studio's instruments and effects — plus any installed VSTs — through the Browser (F8), then click the "Plugins" section. You can browse by manufacturer, type (instruments vs. effects), or search by name. Drag an instrument directly into an empty Channel Rack slot to add it, or drag an effect into a Mixer insert's FX chain slot. Right-clicking any plugin in the browser shows options including "Open" and "View favorites," which lets you star commonly used plugins for faster access.

Recording Audio and Vocals in FL Studio

While FL Studio is famous as a beat-making platform, it handles audio recording just as well — whether you're tracking vocals, guitars, or live instruments. The workflow differs slightly from pure MIDI production but integrates seamlessly once you understand it.

Setting Up an Audio Track

In FL Studio, recorded audio goes directly into the Playlist as audio clips. Go to the Mixer and select the insert you want to record to (e.g., Insert 1 for vocals). In that insert, click the small microphone icon at the top of the channel strip — this arms it for recording. Make sure your audio interface input is assigned: click the dropdown that shows "IN 1" and select the physical input your microphone is plugged into.

For vocal recording, use a condenser microphone (for studio work) or a dynamic microphone (for untreated rooms). Connect it via XLR to your audio interface's preamp input. Enable phantom power (+48V) if you're using a condenser. Position the microphone 6–8 inches from the vocalist's mouth, slightly off-axis to reduce plosives, and use a pop filter. For guidance on recording vocals, our comprehensive article on how to record vocals in a home studio covers every step including room treatment and microphone technique.

Recording in the Playlist

With your Mixer insert armed and your audio interface configured, move the Playlist playhead to where you want to start recording. Press the record button in the main toolbar (or press R), and FL Studio will ask whether to record "Into the step sequencer / Piano Roll" or "As a new audio clip." Choose "As a new audio clip." Press play (spacebar) and your audio will be captured. When you stop, the clip automatically appears in the Playlist on the track corresponding to your armed Mixer insert.

Comping Takes

For vocals, it's standard practice to record multiple takes and comp (composite) the best parts together. Record each pass on a separate Playlist track, then mute and unmute sections of each take to build a composite performance. FL Studio doesn't have a dedicated comping tool like Logic Pro's Take Folders, but you can simulate the workflow by recording multiple passes on adjacent Playlist rows and cutting clips to isolate the best phrases. Label each take row with the date and take number for easy reference.

Basic Vocal Processing Chain

A starter vocal FX chain on the vocal Mixer insert should include (in order):

1. High-Pass Filter / EQ: Cut everything below 80 Hz to remove low-end rumble and handling noise
2. DeEsser: Use Fruity Peak Controller or a third-party de-esser to tame harsh "s" and "sh" sounds around 6–9 kHz
3. Compression: 3:1 to 4:1 ratio with medium attack (10–20 ms) and medium release (80–150 ms) to even out dynamics
4. EQ (second pass): Boost presence around 2–4 kHz, cut any remaining harshness around 1–2 kHz
5. Saturation: Light tube saturation (Fruity Waveshaper or a third-party like Decapitator) for warmth and harmonic content
6. Reverb Send: Route to a reverb send channel for space, as described in the Mixer section above
7. Delay Send: A short stereo delay (1/8 note, 20% feedback) widens the vocal in the mix

Exporting Your Track from FL Studio

Once your track is arranged, mixed, and ready to share, exporting in FL Studio is straightforward — but there are important settings to get right to ensure the best possible output quality.

Export Modes

Go to File > Export and choose from three options:

• WAV: Uncompressed audio, suitable for mastering, distribution platforms, and archiving. Use 24-bit, 44100 Hz (or 48000 Hz for video). This is the professional standard for exchanging files.
• MP3: Compressed audio for demos, social media, and streaming previews. Use 320 kbps for the highest quality MP3.
• FLAC: Lossless compressed format, smaller than WAV but identical quality. Good for distribution if your platform accepts it.

Export Settings Checklist

In the export dialog, make sure:

• Bit depth: 24-bit for professional delivery (not 16-bit, which is for CD and legacy formats)
• Sample rate: Matches your project sample rate (44100 Hz for music, 48000 Hz for sync/video)
• Mode: "Song" mode to export the full Playlist arrangement (not just one pattern)
• Tail: Enable "Leave remainder" to include reverb tails that extend past the last Playlist block
• Trim PDC delay: Check this to compensate for plugin delay compensation, keeping everything sample-accurate

Stem Export for Collaboration

If you're collaborating with a mixer, vocalist, or other producer, exporting stems (individual audio files for each element) is essential. FL Studio makes this easy: in the export dialog, select "Split mixer tracks" to export every Mixer insert as a separate audio file. Label your mixer inserts clearly before doing this — you'll receive a folder with files named after each insert. This workflow is standard practice when working with session musicians, mixing engineers, or when submitting beats for sync licensing. For more on collaboration workflows, see our guide on how to collaborate online as a producer.

Differences from Other DAWs

If you're coming from another DAW and evaluating FL Studio, it's worth understanding the key workflow differences. FL Studio's pattern-based system, floating window layout, and Mixer routing model are all unique. Compared to competitors, FL Studio offers a lifetime free updates policy — once you buy a license, all future versions are included at no extra cost. For a detailed comparison, our article on FL Studio vs Ableton breaks down the strengths of each platform for different producer types. We also have a comprehensive FL Studio review that covers every edition in depth.

Getting Started with Distribution

Once you have a finished, mastered WAV file, you can distribute it to streaming platforms like Spotify, Apple Music, and Tidal through services like DistroKid or TuneCore. The process is straightforward — upload your WAV, add metadata (title, artist, album art), choose your release date, and the distributor handles delivery to all platforms. For producers just starting out, this is the fastest path to getting music in front of listeners. If you want to compare your options, check out our breakdown of the best DAW for beginners to see how FL Studio fits into the broader landscape of available tools.

This guide was written and last updated in May 2026, based on FL Studio 21 running on both Windows 11 and macOS Sonoma. Image-Line continues to release updates frequently, so always check the official changelog for new features introduced after this publication date.

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